LINK to Washington DC City Paper Interview:

These are close photographs of light reflected on water. They take various forms: as reflections of skies and clouds, trees, and leaves, or as light itself beautifully playing across the waves, illuminating leaves, flowers and grasses. The photographs are often three-dimensional, showing reflections of the sky interacting with movement of water, coupled with elements floating in the waves or on the streambed.

I’m after something you can’t see when standing high on a bank. To find these images, I go down to the water, walk up and down the creek in knee-high rubber boots, and sit on a shower stool, often with my lens inches from the surface. I spend about three hours at a time, quietly searching for magical interplays of water, light, and subject. Mirror-like reflections seen from the bank change as I hunker down, replaced by light that seems to reflect, illuminate, and outline a different, and often luridly colored, world.

My images are not “photoshopped” in the sense of using a computer to create imagined scenes. In these photographs, nothing has been invented, nothing subtracted, and nothing added from another photograph. Because I often shoot in very low light or conditions of glare, I use a computer to process my raw photographic files in order to come as close as possible to the vivid scenes I saw and to present them on paper as beautifully as the creek constantly does on water.

I am a fine-art photographer based in Silver Spring, MD. Since 2006, Sligo Creek (running through Silver Spring and Takoma Park, MD) has been my major muse and subject of my series of photographs Intimate Waterscapes.

My photographic skills were honed by assisting the studio photographer in a museum, by illustrating my ethnographic fieldwork, and by documenting people and projects while working around the world with Peace Corps. Living and working among other peoples and cultures has had a profound effect on my outlook on life, and therefore on my photography. I try to look beyond surface impressions to glimpse underlying images and meaning.

I have exhibited my photographs in juried shows regionally at the University of Maryland in College Park, Penn State University in State College, and the Circle Gallery in Annapolis, and have had solo shows at VisArts in Rockville and the Adkins Arboretum on Maryland’s Eastern Shore. A number of my photographs have also been selected for exhibit in galleries in New York, Vermont, and California, including a photograph in Best of Nature 2013 at the San Diego Museum of Natural History.

In 2016 I was honored to be one of 50 photographers (from 1900 entries) selected to have six photographs included in the book SEEING IN SIXES, published by LensWork and edited by Brooks Jensen and Maureen Gallagher.  In 2017, I was selected again.  The first year they chose six tree reflection photographs; the next year, it was leaves in the waters of the creek.


SEEING IN SIXES, LensWork Publishing, 2017; six photographs.

SEEING IN SIXES, LensWork Publishing, 2016; six photographs.

Nov 11–Dec 5, 2017:  LightBox Photographic Gallery, Astoria, OR - Nature's Way

July-August, 2017:  PhotoPlace Gallery, Middlebury, VT - Portals

February, 2017:  Circle Gallery, Annapolis, MD - Focal Point


2014: VisArts Commonground Gallery, Rockville, MD
2014: Adkins Arboretum, Centreville, MD
2010: Penn Camera, Washington, DC
2009: Penn Camera, Washington, DC
2008: Sam Abbott Gallery, Takoma Park, MD
2001: Buryzone Gallery, Bratislava, Slovakia
1977: Galeria del Lago, Ajijic, Jalisco,Mexico
1973: Anneberg Gallery, San Francisco


2017: LightBox Photographic Gallery, Astoria, OR - Nature's Way

2017: PhotoPlace Gallery, Middlebury, VT - Portals

2017: Circle Gallery, Annapolis, MD - Focal Point

2016: Circle Gallery, Annapolis, MD - Focal Point

2015: Tate Gallery, Silver Spring, MD

2015: Circle Gallery, Annapolis, MD - Focal Point

2015: Bethesda Public Library, Bethesda, MD

2015: Black Box Gallery, Portland, OR - Field Work: Nature and Landscape

2014: Linus Gallery, Los Angeles, CA - The Seasons
2014: Delaplaine Arts Center, Frederick, MD - Focus
2014: PhotoPlace Gallery, Middlebury, VT: In Praise of Trees
2014: Circle Gallery, Annapolis, MD - Focal Point: Fine Art and Creative Photography
2014: Linus Galleries, Pasadena, CA - 71 Percent
2014: PhotoPlace Gallery, Middlebury, VT - Looking for the Light
2014: Linus Galleries, Pasadena, CA - Forsaken Nature
2013: Darkroom Gallery, Essex Jct. VT – 5 Elements
2013: San Diego Museum of Art/Artist Guild – Reflections
2013: San Diego Museum of Natural History - Best of Nature 2013
2013: Circle Gallery, Univ. of Md, College Park - Honorable Mention
2013: New York Center For Photographic Art - Honorable Mention
2013: Robeson Gallery, Penn State University, State College, Pennsylvania
2011: Qualia Cafe, Washington, DC - 2011-2017
2010: Old Town Gallery, Takoma Park, MD - 2010-2014
2008: Cafe Bonaparte, Washington, DC

Collections and Publications:

Seeing in Sixes, LensWork Publishing, 2017

Seeing in Sixes, LensWork Publishing, 2016

Capital One Financial Services, Mclean, VA
Takoma Central Apartments, Takoma Park, MD
City of Takoma Park, MD: Cover, Budget 2009

All my digital/archival prints are now made on an Epson 9900 printer, using Epson pigment inks on Canson Platine Fibre Rag paper. Mats are cut from archival paper.

Please contact me directly: